I had never thought I could
actually feel that a house for rent could be mine,and just after a bit longer
than a week.
But maybe objects don't only
belong to us when we buy them. Even when someone lend them to us, as much as
for this house, in return for a payment, even when they give them to us as a
present or when we adopt them after they have been abandoned or when they are with
us for a period and then they leave us, and in many other ways that fate makes
up.
In essence this house belongs
to me and probably, since it also belongs to my flatmate, it belongs to me
twice because he always lends me his stuff.
This corner of the house
where I can clearly think over is, as simple as it may sound, the living room.
I could philosophize forever about the layout of the living area, get lost in
wonders about continuous rooms, which favor continuous mental behaviors. That
means that the hall, where there will be two bookcases, is connected to the
living room through an arch (the kind of ones made of bricks, artificial, on
fashion up to some years ago), in its turn the living room is connected to the
kitchen through a sliding door made of wood and glass, which opens or closes
half of the wall.
I'm sitting on a beloved Ivar
from Ikea, partly painted in white, and the table I'm leaning on is still
the one from the old house: two wood-colored trestles and a white board. If I
look up I can see only trees foliage from the window, as if it were a painting
I made myself at middle high school during painterprofessor Gualtiero
Gualtieri's class (that's his real name).
To the sides of the white
window, two curtains, white as well, made of really light cotton which might be
more suitable for a bedroom. Under the window there is a heater, on the right a
white wall and on the left, down below, a heap of books which had been
underlined at university and on top a Sansevieria in a pot, white, which
belonged to a previous plant I accidentally killed.
This is my
"Description", that is the exercise the children in 2nd and 3rd grade
elementary school are doing.
I wanted to try myself, just
like them, the thrill of doing some homework, the kind of Describe what you can
see from your window, because just the other day, while I was putting away
books, I came across Homework, by Philippe Meirieu, published by
Feltrinelli in 2002. I felt guilty because I had only read some parts of it: I
had underestimated such an important topic, before being a substitute teacher
in the morning and a school club teacher in the afternoon.
That's why I promise I'll
read it as soon as possible and I've started to identify myself with a pupil
who needs to do their homework. A sort of theatre in the theatre, I keep
saying it to convince myself that this is an interesting experiment.
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